Date:
20020527
Dockets:
98-2778-IT-G,
1999-3618-IT-G
BETWEEN:
BRENT GLYNN
McCLELLAND,
Appellant,
and
HER MAJESTY THE
QUEEN,
Respondent.
Reasons for
Judgment
Beaubier,
J.T.C.C.
[1] These appeals were heard together
on common evidence at Calgary, Alberta on May 16, 2002. The
Appellant testified and called Cynthia Freeland, Ph.D., who
was qualified as an expert in the critical theory of
art.
[2] The Appellant has appealed
assessments for the years 1988 to 1997 inclusive. The
essence of both appeals was stated by Appellant's counsel to
be whether the Appellant was in the business of being an artist
during the years in question. There is no evidence that he
produced or sold any work of art in those years. Evidence was led
of a sampling of expenses proposed to be deducted for those
years. Thus, the question which the Appellant's counsel put
to the Court is whether the Appellant had a reasonable
expectation of profit from his alleged work as an artist in the
years 1988 to 1997 inclusive. That is the question the Court will
decide.
[3] Ms Freeland testified that
"almost anything" can be regarded as a work of art
today. In essence she stated that, to be a work of art, it must
contain an idea, be original, communicate and be well
crafted.
[4] There is no evidence before the
Court that the Appellant produced any work of art whatsoever
during the years in questions, 1988 to 1997 inclusive.
[5] The only work of art alleged to be
produced by the Appellant is "Apothesis". The only
evidence of the date that it was produced is that it was produced
by the Appellant in March, 2002. (See Exhibit A-2)
[6] The Appellant appears to be in his
late 40's or early 50's. He testified that he received a
degree in education at the University of Calgary and taught for a
while. He has a daughter who was born in about 1984 and who he
took to New York City in 1995. He had joint custody of her
with her mother until she moved from Calgary to Vancouver,
whereupon he began making trips of lengthy duration to Vancouver
and Nanaimo, British Columbia. During some of the years in
dispute he resided with his parents in Calgary. On
cross-examination, he admitted that his only income for the years
in question, either as an employee or as reported business
income, was from a day-care operation. When he was examined as to
the time he spent as an artist, or in the alleged business of
art, he was evasive. He concluded that he spent time thinking
about art and that in his view getting an artistic idea occurs
just before waking up from sleep or immediately upon falling
asleep. He did not testify as to how often this had occurred to
him.
[7] For the Appellant to establish that
he was in business as an artist from 1988 through 1997, he must
establish that he had a reasonable expectation of profit from his
works of art at that time. The primary elements of the test for
that were set out by Dickson, J., in William Moldowan v. The
Queen (S.C.C.) 77 DTC 5213 at 5216 when he
wrote:
Although
originally disputed, it is now accepted that in order to have a
"source of income" the taxpayer must have a profit or a
reasonable expectation of profit. Source of income, thus, is an
equivalent term to business: Dorfman v. M.N.R. [72 DTC
6131], [1972] C.T.C. 151. See also s. 139(1) (ae) of the Income
Tax Act which includes as "personal and living
expenses" and therefore not deductible for tax purposes, the
expenses of properties maintained by the taxpayer for his own use
and benefit, and not maintained in connection with a business
carried on for profit or with a reasonable expectation of profit.
If the taxpayer in operating his farm is merely indulging in a
hobby, with no reasonable expectation of profit, he is
disentitled to claim any deduction at all in respect of expenses
incurred.
There is a
vast case literature on what reasonable expectation of profit
means and it is by no means entirely consistent. In my view,
whether a taxpayer has a reasonable expectation of profit is an
objective determination to be made from all of the facts. The
following criteria should be considered: the profit and loss
experience in past years, the taxpayer's training, the
taxpayer's intended course of action, the capability of the
venture as capitalized to show a profit after charging capital
cost allowance. The list is not intended to be exhaustive. The
factors will differ with the nature and extent of the
undertaking: The Queen v. Matthews (1974), 74 DTC 6193.
One would not expect a farmer who purchased a productive going
operation to suffer the same start-up losses as the man who
begins a tree farm on raw land.
[8] Using these criteria as headings,
the Court finds that in the Appellant's appeals:
1. Profit and loss
experience - There is no evidence of any profit or any loss
by the Appellant respecting any work of art. There is no evidence
that he produced any work of art during the years in question or
before that or until March, 2002.
2. Taxpayer's
training - The Appellant has a degree in teaching. He
testified that he taught art. There is no evidence that he has
any training in art or in producing works of art. From his
testimony it appears that he has read about art and artists, in
visual and sculptured types of media. He testified that in about
1995 he and his daughter visited art galleries in
New York City.
3. The taxpayer's
intended course of action - There is no evidence that the
Appellant had any intended course of action during the years in
question. In particular, there is no evidence that he had any
intended course of action to produce a work of art or to produce
works of art of any kind for profit in those years. His testimony
respecting "Apothesis" is that he produced a total of
12 versions of it. He and his daughter "mummified
them", blindfolded each other and buried them in the
mountains. An odometer reading was taken of the distances to that
area, yellow ropes were stretched, pictures were taken and he
hopes or expects to sell these for $1,000,000 to someone who will
then discover these 12 versions some time in the future. He also
has an idea that he may write about this process and publish
that. He has not displayed Apothesis to the public except insofar
as Exhibit A-2 has been printed in just over 300 copies and
apparently distributed, free, to a few people.
4. Capability of the
venture as capitalized to show a profit - For the years in
question, there is no evidence of any capital investment by the
Appellant in this alleged venture. There is no evidence of any
business venture to produce a work of art during the years in
question. There is no evidence that the Appellant tried to or
intended to produce an actual work of art, or an actual work of
art to sell for a profit during the years in question. When the
Appellant was asked twice, during his examination-in-chief, how
he expected to generate revenue from works of art, he was unable
to answer the question. Instead he indulged in two long
meandering discourses.
[9] The question of a reasonable
expectation of profit was further expanded upon in Enno Tonn
et al v. The Queen (F.C.A.) 96 DTC 6001. Using the concepts
contained in that judgment, the Court finds:
1. The Appellant has a
personal interest in art. Moreover his samples of expenses
contained numerous proposed deductions for motel rooms and travel
to visit his daughter in British Columbia. On the evidence it is
clear that most, and perhaps all, of his proposed expenses relate
to expenses he incurred in relation to his daughter or to
personal visits to British Columbia.
2. The Appellant had no
plan during the years in question to produce a work of art, or
what the medium or material might be, or to make a profit from a
work of art. He testified that he was experimenting with
materials. From his testimony he may have been thinking about
art, reading about it or even looking for inspiration. But he had
no plan by which he would produce art for a profit. Nor did he
formulate such a plan in those years.
[10]
The Appellant had no reasonable expectation of profit from work
as an artist during the years in question. He was not in that
business in those years.
[11]
There are other questions raised by both parties in these
appeals. However, the foregoing judgment by the Court dispenses
with the appeals and it is not necessary to deal with any of the
questions.
[12]
The appeals are dismissed. The Respondent is awarded a full set
of party and party costs in respect to each appeal.
Signed at Vancouver,
British Columbia, this 27th day of May, 2002.
J.T.C.C.
COURT FILE
NO.:
98-2778(IT)G and 1999-3618(IT)G
STYLE OF
CAUSE:
Brent Glynn McClelland v. The Queen
PLACE OF
HEARING:
Calgary, Alberta
DATE OF
HEARING:
May 16, 2002
REASONS FOR JUDGMENT
BY: The Honourable Judge D.W.
Beaubier
DATE OF
JUDGMENT:
May 27, 2002
APPEARANCES:
Counsel for the
Appellant: Kerry
McClelland
Counsel for the
Respondent: Belinda Schmid
COUNSEL OF
RECORD:
For the
Appellant:
Name:
Kerry McClelland
Firm:
Kerry McClelland, Barrister & Solicitor
Calgary, Alberta
For the
Respondent:
Morris Rosenberg
Deputy Attorney General of Canada
Ottawa, Canada
98-2778(IT)G
1999-3618(IT)G
BETWEEN:
BRENT GLYNN
McCLELLAND,
Appellant,
and
HER MAJESTY THE
QUEEN,
Respondent.
Appeals heard on common
evidence on May 16, 2002
at Calgary, Alberta, by
the Honourable Judge D.W. Beaubier
Appearances
Counsel for the
Appellant:
Kerry McClelland
Counsel for the
Respondent:
Belinda Schmid
JUDGMENT
The
appeals from the assessments made under the Income Tax Act
for the 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996 and
1997 taxation years are dismissed in accordance with the attached
Reasons for Judgment.
Signed at Vancouver,
British Columbia, this 27th day of May, 2002.
J.T.C.C.